Reference #81 according to the British Catalogue, circa 1797, is a hand pulled-ETCHING from the AUTHENTIC & Original copper Rembrandt plates by Armand-Durand (1831-1905) overseen by Art World Industries, inc. Other figures not mentioned in the Gospels … It was the second altarpiece to be completed by the artist for the Cathedral; the first being The Elevation of the Cross (1610–11). Interpretation of Descent From the Cross by Roger van der Weyden. The Descent from the Cross may refer to one of several paintings by Peter Paul Rubens: . The Descent from the Cross (Rubens, 1600–1602), Siegerland-Museum, Siegen, Oberes Schloss; The Descent from the Cross (Rubens, 1612–1614), Antwerp Cathedral; The Descent from the Cross (Rubens, 1617), Palais des Beaux-Arts de Lille; The Descent from the Cross (Rubens, 1618), Hermitage Museum, St Petersburg (Rembrandt, 1650–1652) The Descent from the Cross is a 1650–1652 painting of the Descent from the Cross by Rembrandt, Constantijn van Renesse and Rembrandt's studio. The Descent from the Cross is a 1633 painting of the Descent from the Cross by Rembrandt. Artist/maker. Although the degree to which Rembrandt was involved in the execution of either of … It is now in the National Gallery of Art in Washington. Descent from the Cross by Torchlight 1654 Rembrandt (Rembrandt van Rijn) Dutch This etching is part of a series of scenes from the Passion of Christ that Rembrandt created around 1654. 1633, 89.4 x 65.2 cm, Oil on panel, Alte Pinakothek, Munich Here, he diverged from traditional representations of the Descent from the Cross by focusing on the silent activity of taking down and burying Christ’s body. The Descent from the Cross by torchlight. Dimensions: sheet: 20 9/16 x 15 1/16 in. 528x407 mm; 20 3/4x16 1/8 inches, narrow to thread margins. The Descent from the Cross by Rubens is the centre-panel of a triptych which he painted for the Cathedral of our Lady, in Antwerp. The Descent from the Cross is the 13th Station of the Cross. The earlier, Rubens Descent, is a triptych whose side wings portray the Visitation and the Presentation at the Temple. REMBRANDT VAN RIJN The Descent from the Cross: Second Plate. The figures surrounding Christ gaze on in awe. Descent from the Cross Holland, 1634 Like other paintings by Rembrandt on Christian subjects, The Descent from the Cross was not intended for a church, as in Protestant Holland places of worship were not decorated with painting or sculpture. The Descent from the Cross is a 1650–1652 painting of the Descent from the Cross by Rembrandt, Constantijn van Renesse and Rembrandt's studio. Rembrandt is shocked to see you. Rembrandt van Rijn The Descent from the Cross by Torchlight, Etched in 1654, Printed in 1906 (Beaumont, Paris) The Descent from the Cross, or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion. Medium: Etching and burin. Rembrandt received a commission from the court in about 1628 through Constantijn Huygens, secretary to the Prince of Orange, for five paintings of the Passion of Christ. He reels backwards, mouth open, eyebrows raised in amazement at your startling arrival. The Descent from the Cross by Rembrandt van Rijn is a 100% hand-painted oil painting reproduction on canvas painted by one of our professional artists. As in "The Circumcision" (1661), "The Holy Family at Night" (c. 1645) and other religious paintings from Rembrandt, … It is believed that Rembrandt produced his iteration of this iconic scene in response to Peter Paul Rubens’ painting of the same scene from 1612–14. Ref. It is now in the Alte Pinakothek in Munich. The Descent from the Cross by Torchlight exemplifies the artist’s ability to portray religious scenes rich with human emotion and expressive drama. ‘The Descent from the Cross’ was created in 1634 by Rembrandt in Baroque style. Enveloped in the black of night and lit with a single flame, the heavy mood surrounding Christ’s descent from the cross is intensified in Rembrandt’s nocturne etching. The Descent from the Cross illustrates a group of men taking Christ down from the cross after his crucifixion. Find more prominent pieces of sketch and study at Wikiart.org – best visual art database. The Descent from the Cross c. 1633 Oil on canvas, 90 x 65 cm Alte Pinakothek, Munich: Catalogue number: Bredius 550. It is now in the National Gallery of Art in Washington. It is a companion piece to Rembrandt's later The Raising of the Cross. 1633, Alte Pinakothek, Munich. The Descent from the Cross is a 1633 painting of the Descent from the Cross by Rembrandt. Descent from the Cross, Rembrandt van Rijn. Like other paintings by Rembrandt on Christian subjects, The Descent from the Cross was not intended for a church, as in Protestant Holland places of worship were not decorated with painting or sculpture. Accession Number: 17.37.69 Rembrandt’s original oil was strongly influenced by an altarpiece of the same subject by Peter Paul Rubens. It is now in the Alte Pinakothek in Munich. The UK Independent, at the time, described the plates being sold as “like chips off the True Cross.” Biörklund's second state (of 5), before the address of Uylenburgh lower right; Usticke's first state (of 5); New Hollstein fourth-fifth state (of 8). "The Descent from the Cross" was most likely planned by Rembrandt van Rijn and executed by Constantijn van Renesse, one of his gifted students. Rembrandt’s Descent from the Cross is stylistically unusual and reproductive, unlike most of his prints, which were original designs rather than printed paintings. Following Rembrandt’s passing in 1669, his remaining copper etching plates virtually stayed intact as they passed from collector to collector until 1993 when a sale at the London Original Print Fair dispersed the plates around the globe. On Somerset paper. With border measures 27" x 22". Find more prominent pieces of religious painting at Wikiart.org – best visual art database. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam) Date: 1633. It is a companion piece to Rembrandt's later The Raising of the Cross. …in a comparison of Rembrandt’s Descent from the Cross (1632/33) with the print after Rubens’s Descent from the Cross that Rembrandt unquestionably used. Rembrandt Van Rijn The Descent From The Cross View Catalog Sold: $520 Estimate: $900 - $1,250 February 8, 2019 Las Vegas, NV, US Request more information Additional Details. The Descent from the Cross, the painting, remains one of Rembrandt's most famous and respected artworks, though there is also much to appreciate from this etched version. Titled "The Descent from the Cross: the Second Plate" (year of original 1633). You can see the whites of his eyes. In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. This formula fully expresses the current Baroque tendency, which found its most powerful representative in Peter Paul Rubens.In fact, in The Descent from the Cross, Rembrandt is obviously dependent upon Rubens' treatment of the same subject in Antwerp. Rembrandt - The Descent from the Cross. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Credit Line: Gift of Henry Walters, 1917. The Descent from the Cross. The Descent from the Cross (Rembrandt, 1650–52), Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=The_Descent_from_the_Cross_(Rembrandt,_1650–1652)&oldid=949937633, Collections of the National Gallery of Art, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 April 2020, at 10:37. From Forum Auctions, Rembrandt van Rijn, The Descent from the Cross: Second Plate (1633), Etching and engraving, 54 × 41.2 cm According to Rembrandt himself, his The Descent from the Cross observed "the greatest and the most natural movement". Such a comparison shows that Rembrandt had fundamentally transformed Rubens’s heroic pathos into a powerful realism that evokes in the viewer a deep sense of involvement in… We utilize only the finest oil paints and high quality artist-grade canvas to ensure the most vivid color. (52.2 x 38.3 cm) Classification: Prints. Discover and collect art from Rembrandt van Rijn’s iconic The Descent from the Cross series and more. Holland, 1634. The painting is part of a series of passion paintings that Rembrandt made for Frederik Hendrik, the stadtholder. In this monumental Rembrandt The Descent from the Cross: Second Plate, 1633, Rembrandt depicts the momentous moment in which Christ's body is released from the cross. He centers Christ in a classic Laocoon-like pose, with an … There is some similarity with the Descent from the Cross by PP Rubens, but Rembrandt's work is more serene than the dramatic tableau by Rubens. Rembrandt, who based his 1633 Descent from the Cross for the Passion series on Lucas Vorsterman’s reproductive engraving after Rubens’ altarpiece The Descent from the Cross, now in the Antwerp Cathedral, may have decided to emulate not only Rubens’ composition but also the large scale in which Rubens worked. Etching and engraving, 1633. [1], https://web.archive.org/web/20120217191016/http://www.pinakothek.de/rembrandt-harmensz-van-rijn/kreuzabnahme-christi, Bust of a Man Wearing a Gorget and Plumed Beret, Diana Bathing with her Nymphs with Actaeon and Callisto, Pendant portraits of Maerten Soolmans and Oopjen Coppit, The Archangel Raphael Leaving Tobias' Family, Ahasuerus and Haman at the Feast of Esther, Self-Portrait Wearing a White Feathered Bonnet, Self-Portrait in a Black Beret and Gold Chain, Self-Portrait with Beret and Turned-Up Collar, https://en.wikipedia.org/w/index.php?title=The_Descent_from_the_Cross_(Rembrandt,_1633)&oldid=939113388, Wikipedia articles with RKDID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 4 February 2020, at 12:35. Europe (place of creation) Date. Title: Descent from the Cross. Rembrandt (1606 - 1669) (printmaker) Associated place. ‘The descent from the cross’ was created in 1633 by Rembrandt in Baroque style. Descent from the Cross. 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